Act IV.
The
Testament of the Mother
Passion
The entire stage
is dark. Upstage left, barely visible, the chorus, back to the audience,
witnesses the crucifixion. In right downstage corner, Mary kneels down
illuminated by a blue wash light. Long silence (1 and 1/2 min), interrupted
only by the pounding of first nail. The silence must be heard loudly and fill
the stage. Mary reacts physically to each sound.]
MIRIAM: [Miriam alternatively addresses God and
addresses herself mixing the most opposite emotions, that follow one another,
anger and sadness, hope and despair, in an ambiguous message that sometimes
blames God and other times blames men who blame God. But first, she blames herself. Raising her arms to heaven, in a
desperate request for help] Father, have you forsaken your son?! Oh, what
is dear to me brings hurt and misery, suffering and despair... What have I done
my God, to deserve this punishment? What have I done!? [Pounding of the
second nail, that continues less loudly while Miriam recites:]
Oh,
how much more can You suffer
nailed
to the cross?
How
much more, answer me, God,
can
you look at your Son,
tortured
and bleeding?
Where
is your justice?
Where
is your love?
For
this did You ask me
to
be the mother of your Son?
Answer
me, God!
Don't
you see my pain?
How
can you meet
this
much suffering, and remain silent?
What
kind of a man are you
to
let them so kill your Son!
FEMALE CHORUS: [with their backs to Mary and to the audience] May God above me not seek the blackness of this
day, nor allow the light to shine upon it. May this day not be included among
the days of the year... My life is a sentence, I struggle in these chains!
Guilty or not guilty, disaster strikes mixing innocence with despair. May the
day perish on which I was born, and the night in which it was said "a male
child is conceived".
MIRIAM:
No!
I will not be silent!
I
will not mute my cries.
You
will have to hear me,
even
if my voice is small
in
the oceanic void of space and time.
Your
Scriptures call me to silence,
reminding
me that, in the infinitude
of
Your universe,
I
am, as all, dust and ashes.
Weak
I am, and much alone,
but
the immensity of your stars
does
not make me fear.
Or
respect.
How
can the depth of the heavens
serve
as argument for your ravings?
Under
the shadow of the cross,
Your
threats do not terrify me.
Your
will is a hurricane
stripping
the earth,
but
I am stone
already
naked.
I
defy you,
arrogant
God.
I
was not born to hate,
nor
to doubt,
why
do you force me
to
question your commandments?
Should
you stop to contemplate my fate,
and
look at the paths through which you have led me,
You
would know that I end with His suffering,
and
that beyond His pain, or my own,
I
am oppressed by this immense doubt I feel,
the
fear that with Him ends all I loved.
Look
at me, God, look at me, covered with tears,
rendering
the air with my weeping!
More
painful than to see Him hurt
is
to see Him hurt by Your own hands.
Contemplating something infinitely
bigger than myself fills me with reverence and awe.
You call me to
co-create with you..., how could I know then that I would have to repeat Job's
laments? I feel reduced and
humiliated. I am nothing but dust and
ashes. [defiant] But there is greater glory in the sublimity of my own
child, of my Joshua, because He does not make me feel that man is lowly dust
and ashes.
But now Joshua, You suffer...! Was
your goodness wasted? Was your goodness an error, a miscalculation, a form of
guilt for which our world has no forgiveness? [answering herself] It was
the one thing that made You who You are. Your unmerited suffering makes me
realize in all its magnitude the evil of this universe. I do not understand why
there is evil. I refuse to accept it as the will of God, balanced by a reward
in heaven! My intelligence cannot solve this quandary, but I know what I am to
do. I say No. I fight evil. I do not accept this world. It would be more
prudent to say Yes, but it is not up to the mother of Joshua to say yes to this
world. No! I do not believe this is God's will! It is blasphemous to attribute
inexplicable evil and innocent suffering to God's Providence. They are indeed
the work of evil men who ask for our humble submission simply to satisfy their
greed for power and profit! But, Divine Justice exists, and its time will come.
[Pounding of the third nail, with ironic and tragic resonance]
MALE CHORUS: How could God the all powerful create sickness
and misery. How can God the all benevolent allow for the torture of Joshua, for
the torture of men and women, again and again, throughout the centuries...
FEMALE CHORUS: I hate you, I despise you, you are as despicable
as a father who murders his son, and you still want me to take you for a God!
Your universe is evil, not just unfair, but evil.
MIRIAM: No! [more calmly] No, I said to Joshua, we
cannot understand, but understanding is not all. I told Him. There is no answer to Job's questions, but
they do not really matter when we face the real issue before us. We do not know why the universe is filled
with pain. In our desperation sometimes we may even think God too is full of
evil. [With a spasm of pain and
guilt] I told him the story of the
Suffering Servant,* who always did his duty to others in spite of his own
misery. I told him to learn from it, to learn that it does not matter that we
cannot answer our doubts and uncertainties.
We still have our duty to our people... [suddenly feeling pain and
guilt] Did I make Him die the life and death of the Messiah when I gave Him
the Suffering Servant as a model? Am I responsible for His death, for this
terrible torture of the cross? How could I be so wrong? I am the guilty one. I
can forgive them all, but for myself? I find a excuse for each.
CHORUS: For the people who chose to save Barabbas...
MIRIAM: ...their
faith in his armed struggle against the Romans.
CHORUS: For the priests...
MIRIAM: ... because they condemned one man to save
all the people.
CHORUS: For the cowardly disciples..
MIRIAM: ...because they are vulnerable, weak men.
CHORUS: For the Roman soldiers...
MIRIAM:
...because they were saving the Roman peace and order. Even for Pontius
Pilate, who ordered the execution of thousands of our people because it is
difficult for the powerful to resist the corruption of power.* [pounding of
the fourth nail; sudden return to a desperate reality; the stage becomes
darker] Also, you God! [addressing her Son] Please die now! I do not
want you to suffer any more! [covering her face with her hands, in horror of
herself] What am I saying?! [pause]
I rest, because there is no more hope. I can only wait for God. [Mary's face
lightens up, as the light that illuminates her becomes softer and pinker. She
cuddles an imaginary child in her arms]. O my child... How beautiful you
are...[the chorus turns to face her, with an air of great surprise]
CHORUS: [recitative] She looses herself, she is flying into the past, she relieves her
pain by plunging into madness.* Look at
her, she imagines herself to be a young woman raising Jesus as a child. As she
mourns, she is also healing herself and resurrecting Jesus in her spirit.
MIRIAM:
Oh,
kiss my breast...,
let
my sweet milk
pour
into your mouth.
My
child, my child,
you
look at the world
with
your big eyes,
and
you see me,
and
Joseph, lying quietly,
waking
up, surprised
to
see you standing...
[singing a nursery song]
Sleep.
Sleep,
in
the sea of the sky
where
angels go sailing,
disguised
as clouds and stars.
Go
to sleep, my child, sleep and dream,
[speaking again as a mother to a child:]
Do
you remember
those
long afternoons,
singing
and playing
in
the streets warmed by the sun?
Do
you remember the music
of
Joseph's saw,
and
of his hammer, making
a
table, a chair, something
of
a toy that made you smile?
Do
you remember the pallid sun
of
winter mornings
shivering
its light
over
a frozen fountain?
My
milk, my warmth, my perfume,
do
you remember, my child,
the
clear water
and
my tenderness?
Do
you remember what it is
to
live enlivened by one who loves you? *
[she reacts,
startled] Perhaps God is also a
child.. a powerful child who knows not what He is doing ... Perhaps God also
needs to be forgiven because He is still growing .... eternally growing... [From
a distance, with increasing volume, we hear Mozart's Requiem (variation)]. The
chorus breaks up and move quietly away, with accented slowness and
formality. After a long time, Mary gets
up, trying to get people's attention with her looks, and only after a long time
she bursts out crying:]
MIRIAM: My God, my God, why have You forsaken Him?! [She
reaches out with her hands as the entire chorus leaves the scenario. Mary Magdalene, Eli and John, approach and
embrace Mary, and lead her slowly to John's house, down scenario left, as the
scenario becomes more illuminated. Helped by John, Mary sits at the door. Mary
Magdalene sits by her. Eli brings Mary a drink. Eli and John leave
unobtrusively.]
MAGDALENE: Nothing hurts more than the death of a child. When
I lost my child, I wanted to die. I wanted to put an end to my life. Death just
happened not to happen. It did not
measure my pain. * [Mary and Eli sit. As the Requiem continues in the
background, light changes signal the passage of night and the beginning of the
new day. Mary Magdalene and John go out silently.]
Resurrection
[The children
enter the scenario and look at the two women with fear and reluctance, too sad,
too disturbed, too upset to say anything. Then they look at and talk with each other
in a very low voice, until one says:]
BOY ONE: Grandpa told me He is in heaven.
ROMAN SOLDIER: Ave,
Mary, God be with you.
MIRIAM: Who is it?
Oh, it is you, I recognize you.
You talked to my son, you were good to Him...
ROMAN SOLDIER: No! He was good to me! He converted me into a
man.
MIRIAM: Tell me, my son.
ROMAN SOLDIER: I never knew my mother... she died delivering me.
My father got drunk every night, and then he hit me.* I escaped to the streets,
among the unemployed men, the maimed soldiers, the drug dealers, the
prostitutes and the insane. I tried to
become a priest, but then the Pontiff embraced me and kissed me as a woman. I
became a soldier. I can tell it to you in a few words: You kill to survive the
battle, and if you survive, you get drunk, rape the women, young or old,
torture some, mutilate others, and fall asleep in the arms of someone who hates
you, dirty with blood and vomit. [with new pride] Now I have found in myself a man, a man who
can say No, a man who can think by himself, a man who is responsible for each
of his actions, a man who can be proud again, and love.
MIRIAM: Thank you for your kind words...
ROMAN SOLDIER: I come to
thank you. Now, I am alive... while He
has been killed, tortured, by us..., the soldiers of the Republic... capable of
destroying an entire village, "to save it from our enemies". And yet,
I still envy Him. I envy His mother,
you. Ah, what must it have been to be
the son of a mother like you with so much love and faith in yourself, that you
created a great soul! I hope you know
that for all times there will be men and women imitating the Christ, and
imitating you... [He leaves.]
MAGDALENE: [Mary of Magdalia enters the scenario,
running, agitated, hysteric, her hair, her garments, her arms floating.] I have seen Him! I have seen Him! The grave is empty!
WOMEN FROM THE
CHORUS: [almost simultaneously]
-Who?
-What do you
say?
-Who have you
seen?
-Who's grave?
-Speak up, woman.
MAGDALENE: I went to Jesus' grave with spices and fragrant
oils, very early in the morning, with certain other women who had come with Him
from Galilee, but we found the stone that closed the tomb rolled away. When we went in, and His body was not there.
And then...and then...I think I saw two ...two angels, in shining garments..
They spoke to me.
VICTORIA: (woman-angel) He is
not here, because He is risen.
ISABEL*: (woman-angel) Go quickly and tell the disciples, that you
may go to Galilee where you will see Him.
MALE CHORUS:
-Nonsense.
-These are idle
tales.
-Who can believe
you? You are the madwoman of Magdala.
-You have always
been one to believe in ghosts and charms, and talk of miracles. That is not what Jesus' message was all
about.
MAGDALENE: I am not possessed! He cast seven demons from me
a long time ago...
MALE: [ironically] You see what I mean.
[Lights go off
downstage left. Downstage right, the scene with Mary and the children
continues:]
CHILDREN CHORUS:
"Grandma told me He is with the angels" [recitative,
anxiously, staccato and fast:]
I
was so afraid.
He
lay so still.
My
good friend
didn't
speak to me.
Will
he ever do?
Will
he play and smile?
Where
is he now?
Will
he ever rise?
I
am so afraid.
Am
I going to die?
BOY: Grandma told me He is with the angels.
[change mood to a
lighter tone, as the scenario also becomes illuminated with happier, brighter
and softer mood colors]
CHORUS: [slowly]
Grandma
told me
He
is with the angels
playing
and singing.
Oh...I
am not afraid.
My
good friend
now
plays with the angels.
GIRL: Is He in heaven with the angels, and the Good
God?
MIRIAM: [sadly]
Yes my child ... [to herself] Angels always help when there is
pain and fear ... [the children leave]. Resurrection...God is eternal..
but my Jesus...my son..He is dead... [Mary
gets up and starts walking slowly]
SECOND ROMAN
SOLDIER: [mockingly,
intercepting Mary] Where were the angels when the time came? Why didn't they save your Jesus from our
Roman legions? [Mary avoids him].
Perhaps you believe the stories that his followers are spreading around,
that he has risen. That is good for
political reasons, but for a mother...?
I'll bet you blame them for not defending him... [Mary still tries to
avoid him and get through to the other side]. Have you seen his ghost around any place?
MIRIAM: [indignant] You may have killed my son on the cross, but He has risen. I spoke with Jesus. I speak every day with
Jesus. Did you think that you could kill His Spirit? You killed His body in the cross, but what do you have now? The grave you have is empty. Where is Jesus there? Jesus is here with me, He is here with Mary Magdalene,
He is here with James, He is here with Simon Peter, He is here with every woman
and man who believes in Him. Do you
want to see Jesus?
MALE CHORUS: You can see Jesus any time you want, any time you
stop being small, selfish or afraid, every time you want to get in touch with
the divine that is in you...
FEMALE CHORUS: It depends on you whether Jesus is dead or alive;
whether He speaks, or remains silent; upon you alone, whether you find an empty
grave, or a powerful will that moves mountains.
ELI: I promise you, Mary, I will remember your son
Jesus, and I will tell His story to my children, and to my children's children.
[lights off upper
scenario, on lower scenario]
Role reversal with Jesus
LYDIA: Did she keep her promise?
ANTONIO: Yes, she did.
Mary and Jesus are in Muslim's Holy History.*
ERNEST: Did Jesus really rise again?
ANTONIO: Of
course. [turning to the audience]
Do you believe in the resurrection of Jesus? I do. So I talk with Him once in a while, real
conversations. I don't just pray, doing all the talking, but I also listen to
Him.
CHORUS: Imagine if people went to church and instead of rituals
and prayers, they would reverse roles with The Christ, and see the world
through His eyes? It would change the
world!
ANTONIO: [to the children] Most of my patients are Christian, but many
times they forget it... When they forget to forgive ..
ERNEST: You send them to have a talk with Jesus?
ANTONIO: When they become proud of their riches, and
despise the poor on welfare...
ERNEST: [happy as having reached an insight] You
send them to have a talk with Jesus!
ANTONIO: When they become proud of war..
ERNEST: Yes, you send them to have a talk with Jesus.
ANTONIO: They say, "How?" I teach them to reverse roles, to become
Jesus for a few minutes, to try to feel and think like Jesus.
CHORUS: Talk with Jesus.
Ask Him:
-What do You think
of Palestinians and Arabs?
-What do You think
of war for oil?
-What do You think
of greedy empires and bankers?
-What do You think
of the priests
-Who bless those who
live by the sword?
ANTONIO: And then
become Jesus, and answer your own questions.
CHORUS: Beyond
atonement, confession, praying, then resurrect Jesus! His spirit is a form that can also be embodied in you. Imitate
the Christ. You will be full of God.
[lights turn up
slowly on upper scenario, where we see Mary standing by the door of the same
house as before]
Mary becomes Christian
MIRIAM: When I was a young girl, and dreamed, like many
others, that my son could be a Messiah, I did not just hope and wait. I asked
myself, "How do I teach a Messiah?". When He was a grown man, I knew
He could become the Messiah we needed and wanted. I asked myself "How can
I help Him to be recognized as a Messiah?" Now I have to ask myself: Were His life, and His death, in vain? If the fate of the Christ is to die
tortured, do I want to be the mother of the Christ?
CHORUS: Peter and James, Socrates and Bruno, Hypatia and
Joan of Arc, Martin Luther King and Gandhi... *
MIRIAM: Now that He is dead, why shall I go on living?
FEMALE CHORUS: What right has a survivor to live? What right has a survivor to go on living,
and to do what other people have done, or might do as well? The covenant of Moses has been broken to
pieces. A new covenant is needed, a personal and intimate covenant, written in
each person's heart.
MIRIAM: [having an insight and thereby changing mood,
to an assertive one] Yes, I still am the Mother of the Christ.. There is work to be done. Now.
The question is... what to do next? [pause] To teach His gospel,
of course ...but, what can I do?
What is my special role?
I will discover it. Now what is important is to start working, to become
God's accomplice. The Mother of Christ shall become a Christian [in a more
conversational tone, as she walks out to another house] although Joshua was
a Jew like any other, and never thought Himself as a Christian.* He was The Christ, you see. His thought was
always evolving, always growing. To die is to stop changing. Do not die before
your time.
[The interior of
a house where women and men disciples discuss. Mary stands a little apart, observing.]
OLD JEWISH MAN: He is
defeated. There is no glory on earth. Read the Scriptures: Vanity
of vanities, said the Preacher. All is vanity. Man is an animal, and dies like
any other beast. All are of the dust, and all turn to dust again.
MAGDALENE: The Scripture also says I perceive that there is nothing better than that a man should rejoice
in his own works; for that is his portion.
MAN FROM THE
CHORUS: Jesus wanted us to submit
to indignities without retaliation.
MAGDALENE: Jesus
wanted us to be disarmingly good. The
stress is in disarming, giving up the violence of arms and weapons. He wanted to dumbfound the Roman oppressors,
and induce them to see us as persons, not as enemies
MAN: Resign yourselves to the will of the Lord. Submit
to the landlords. Give to Caesar what
belongs to Caesar.
MIRIAM: [approaching the group] If we were created
by God, it was for the express purpose of acting. That is our fate: to choose and to act.
MAGDALENE: [rapidly adds] And we must choose to be on
the side of the innocent, and the oppressed, beginning with the children abused
by their parents....
MAN: Discipline is not abuse. Our Holy Scriptures
advise us not to spare the rod. These stories of abuse are just uterine fantasies
of hysteric women...
MIRIAM: Ignorant! The rod of the Scripture is the staff
with which the shepherd guides, not the cane that punishes.*
WOMAN: The Christ came to teach us humility.
MIRIAM: No! He
spoke against the arrogance of privilege, but He exemplified the pride of
dignity. We must love others as we love ourselves. Those who do not love themselves, do not love others. Love and
self-love grow together.
MAN: Joshua was crucified to redeem our sins.
MAGDALENE: Yes, He
died for our sins, for our cowardice not to fight to save Him. That is our sin. But mainly He died for
THEIR sins: the greed of the Romans, and the complicity of our lords and
priests. The Christ was crucified because He wanted to save the world. To stop
Him, they killed Him. And to stop us,
they tortured Him, so as to fill us with fear.
MIRIAM: She is
the most articulate of all of us...
MALE CHORUS:
-Men and brethren,
what shall we do? How shall we be saved
from this corrupt generation? We shall
defend ourselves. We are called
atheists because we do not believe in the Gods of Rome, and in the divinity of
the emperor!*
-We shall continue
steadfastly in our beliefs and fellowship. We shall sell our possessions and
goods, and divide them among us all, as anyone has need.*
-Let us cast lots to
see who will replace Judas. Perhaps we
should draw straws. Will the Holy
Spirit inspire us?
-He is with us, we
feel him in our hearts...
MIRIAM: They will cast lots to choose a new apostle,* but
they will never think of Mary Magdalene. Women just don't count. They have gone
so far as to change the sex of the Holy Spirit. They call Her as a he; they have not learned to read Hebrew, so
they do not know that in our Sacred Scriptures Her name is Rooach, a feminine
word. You will see, they will even ignore me when they go away to spread the
Gospels. As they forgot Joseph. To
celebrate the Son, they forgot the father.* But the children are created in the
love of the parents.
WOMAN: Joshua died to redeem us from original sin.
MAGDALENE: How can a
grown up woman say that Jesus had to die tortured because Adam and Eve made
love!
MAN: Fear the Lord!
MIRIAM: [to herself] Now I understand the unique role I am to play. I still must be
the Mother of God. And I must teach the children that God is not a Lord, but a
parent; and not only man, but also woman.
MAN: Here you are again, Mary. You'll never learn. Why
do you insist in things that nobody wants to hear?
MIRIAM: To me is a question of truth, of justice, and of
love.
FEMALE CHORUS: A question of justice..
MIRIAM: ...because in recognizing that woman shares as
much in the divinity as man, we proclaim justice for all the oppressed.
FEMALE CHORUS: A
question of truth...
MIRIAM: ... because we are born of man and woman, her
womb is our first world, and mother is the first smile, the first love, the
first milk, the first authority, the first person with whom to identify, and
the first mirror for our own identity.
Woman has priority in the life of man.*
FEMALE CHORUS: It is a question of love...
MIRIAM: God created us man and woman, so we could feel
love even with our bodies, and through their pleasure learn that to give and to
receive are one and the same thing.
MAGDALENE: What kind
of a man is one who claims for himself human rights, and a soul that shares
with the divinity, while he denies them to his mother, his wife, and his
daughter?
WOMAN: [with contempt] Such man is to be
pitied.
MIRIAM: Some say
"Fear God". The world I fear, and its Creator. I love God, the
Attractor who calls me to co-create a better world. Perhaps God made us in His
image, but certainly we imagine God to resemble our own image. I do not fear
God, because no-one should fear me. I am a mother. So is God.
The Goddess
Temple.
Templo de la
Diosa.
Mary rediscovers in Ephesus that God
is a Child
MAN OF THE
CHORUS: These were hard times.
Many Jews went into exile because the Romans oppressed them so fiercely in
their own land. Sometimes they were welcomed, and sometimes they were
persecuted.
MALE AND FEMALE
CHORUS: You dirty Jews, why do you come to take our jobs? Why do you come here, if you disapprove of
our ways?
MAN FROM THE
CHORUS: The Jews were the
spearhead of the resistance against the empire.
JOHN: Rome is the new Babylon, and this empire, like
the other, will be put to an end by the hand of God!
WOMAN FROM THE
CHORUS: Joshua's disciples also
went abroad to spread the gospel.
JOHN: I, John, went to the Greek city of Ephesus, with
Mary, because Joshua had asked us to take care of each other.
WOMAN: Ephesus, the city of the Mother Goddess and the
craddle of the science of evolution, became the first capital of Chritianity.
[Helena (a Greek
grandmother) and her two grandchildren Lydia and Ernest join John, and all four
enter Miriam's house in Ephesus. Miriam
is now Mary, an elderly woman for whom the years have transformed her pain into
wisdom.]
ALL FOUR: [simultaneous but not at unison] Ave
Mary/Hail Mary.
MOTHER MARY: Ave
Helena. Welcome, children. How was your gospel received, John?
HELENA: It was magnificent. I took the children to hear
it. I hope you don't mind I brought them along. They love to hear your stories.
MOTHER MARY: Certainly
not. They are welcome in my home, just
as you made us welcome in your city.
JOHN: We feel welcome among you. Here I learn much. I
am taken with the most excellent your philosopher, Heraclitus, who long time
ago taught that God is a child, growing, and the world is a river, flowing.
HELENA: Yes, I noticed that you began teaching the gospel
by speaking of the Logos described by Heraclitus...
JOHN: In the
beginning was the Logos, and the Logos was with God, and the Logos was God.*
MARY: I know that Logos means word in Greek, but what
does it really mean?
JOHN: Logos means science, as in physio-logy, the study
of nature, and psycho-logy, the science of soul.*
MARY: Oh, yes.
You do well, John, in learning science. The book of nature is also a revelation
of the Word of God.* But it is so
strange for me to hear you and the others talk about us.. and it is not us. We no longer are Joshua and Miriam, but two cosmic characters,
Jesus and Mary. They all philosophize here, mixing Jesus' teaching with Greek
doctrines. Sometimes, I fear, they
change what He said.. Some who did not
even know Him set themselves up as His apostles, and wish to control how we
live ... *
LYDIA: [bored, pulling Ernest's sleeve] Let's
play. I was bored enough at the synagogue. [turning to Helena, as her own
words reminded her of a previous decision] I don't want to go back to the
synagogue.
ERNEST: [supporting Lydia assertively]: It is not
good for Greeks to enter a synagogue.
MOTHER MARY: [piqued] Why not? I was glad you went.
Jesus loved all persons, regardless of nationality.
LYDIA: [assertive, to Mary] John does not think
so.
MOTHER MARY: ?
ERNEST: [to Mary] John told us that only Jews will
be saved the day of the last judgement.* [to John, looking for a friendly
fight] Will God send me to hell?
MARY: [reassuringly] No, my child.
LYDIA: [pugnaciously, now that she knows she has the
upper hand] John said that only Jewish men will be saved. [Ernest
makes faces at Lydia] What about girls?
What about me? [to John] I thought you were my friend. [making
faces at Ernest] Boys are no better than girls...
JOHN: [uncomfortable] Of course I did not mean..
HELEN: I heard you saying that God will save only virgin
men.
LYDIA: What does virgin mean?
MARY: [to
John] Virgin men! Are we to have no children?!
HELENA: Sometimes men act like youngsters who cannot
accept that their mother conceived them in love.[to the children] John
is single; don't pay too much attention to John in these matters...
ERNEST: John is not the only one who speaks against love,
grandma. They also read the letter of
another man who advised men not to touch women.
JOHN: Yes, Paul advises men against marriage, but he
says that if they cannot exert
self-control, let them marry.
LYDIA: [pugnaciously] My mother told me not to
let men touch me. And she wants
me to get married. Is she bad?
MARY: Oh no! People should marry! How else would we have children? My Son celebrated marriage.. [nostalgic] I remember what a good
time we had at the wedding in Cana... [to
Helena] There are many things I do not understand.. It is all Greek philosophy to me. It has
nothing to do with Jesus.. The kingdom
of God is not the renunciation of the flesh, but the incarnation of the
spirit. That is why Jesus spoke of
reincarnation..
HELENA: These
poor men don't know that in the innocent ecstasy of love we can experience a
spark of the divine..* They separate
flesh and spirit. Because they see the debauchery of the Romans, they renounce
their sex. Ascetism has become popular
among us since our civilization entered into decadence.. *
LYDIA: [insistently] But if I get married, it
would be no good. The letter also said: Wives
submit to your own husbands, as to the Lord.
ERNEST: And he says that the workers should obey their
masters.
JOHN: Here I do not follow Paul. Jesus wanted the
freedom of women and of workers.
MARY: Freedom for all, that is the only way to live in
harmony.
LYDIA: [emphatically, grabbing Helena's arm to get
her full attention] Grandma, I do not want to be a Christian. I don't have
to, if I don't want, do I? I like it
much better with the old religion, where women were also Goddesses.
ERNEST: I love my mom, and grandma Helena, and you too,
Mother Mary. I want God to be a mother too.
The Goddess (sculpture by Calabrone,
Brazil).
Diosa (escultura de Calabrone,
Brasil).
HELENA: [explaining to Mary] You must understand them, and forgive them,
Mother Mary. Ephesus is the city of the Mother Goddess.* In Her temple,
Heraclitus left his book.* [becoming sad] Now his book is lost, and Her
Temple is in ruins. The Greeks are forgetting Her... They have forgotten so much that they now call Her the Virgin,
She who is the Mother...
MARY: Like the Christians who are forgetting that
Rooach, the Holy Spirit, is a woman.
ERNEST: [argumentatively] Besides, the history
they tell at the synagogue is not true. They say that God created the world
four thousand years ago, but in Egypt, there were men thousands of years
before.
HELENA: In this, he is right, Mother Mary.
ERNEST: [pedantically] And what about the creation
in
seven days? In the textbook my teacher gave me,* it says
that the creation still goes on. [as Ernest talks, John takes out a
parchment]
JOHN: [looking at the parchment] It is a
wonderful book written by an Italian physician, Empedocles. It says that the
world, the life, the soul all is like a fire full of energy. And everything
comes in twos: two logs are needed to
make a fire, a woman and a man create children, and the balance of opposite
forces of Attraction and Repulsion to erect buildings and the make things from
stars to our own bodies and our own souls.
Creating never stops. *
MARY: I would like you to read it to me.
JOHN: [reading from the parchment]
Just as painters,
when they decorate offerings
take the
many-colored pigments in their hands, *
and, harmoniously
mixing them, some more some less,
make from them
shapes resembling all things,
creating trees and
men and women
and beast and birds
and fish that live in the sea
and even Gods,
long-lived and highest in honor:
So let not deceit
persuade your mind that there is any other source
for the countless
mortal things we see.
"I will tell
you a two-fold story. At one time they
grew to be alone
from being many, and
at another they grew apart again to be many from being one-
fire and water and
earth and the endless height of air,
and cursed Strife
apart from them, balanced in every way,
and Love among them,
equal in length and breath.
Her you must regard
with your mind: Do not sit staring with
your eyes.
She is thought to be
innate also in the limbs of mortals,
by whom they think
thoughts of love and perform deeds of union,
calling her Joy by
name, and the Goddess of Love."
[John gives the
parchment to Mary, who keeps it in her hands]
MARY: It is a very beautiful poem. Our story of the
Creation also has poetic truth. It teaches us that even God made things in
steps, every day moving a little further, and beginning with the simple, light
and darkness, what we see and what we do not know. Only later, from the simple emerged the complex, and from dust,
man.
ERNEST: [more pedantically, but still charming]
Empedocles was as famous as your son Jesus is now.* He was always surrounded by
admiring crowds, asking for advice, for prophesy, for healing words to cure
them from disease. People thought he
could raise the dead, and expected him to create a just world. But my teacher
says that he was just a physician who became a democratic leader. What about
Jesus?
HELENA: Oh, forgive them, Mother Mary, they are
children.. they do not know what they say ...
MARY: I
understand, Helena, do not worry. My Jesus also said, (and did!), some wild
things when He was a child. I think that the Creator was a child.* I had a
Child who was also a God. He was not always wise, or even well behaved.
Children sometimes do things that appear cruel, but they are just innocent. I
think that God must still be a child because the world is still full of pain. I
expect God to grow to be the Divinity of infinite love and wisdom, just as
Jesus grew up. Jesus as a man had much better understanding than the child
Jesus. He did not remain tied to the old traditions. He created anew. In the
same manner, God will create much better things, but we need to help Him. [Helena
reacts, astonished, and fearful; to Helena] I know, it surprises you. Having had one God as my own child, gives me
a unusual perspective, a certain familiarity with the Spirit. [to the
children] It is necessary to become an accomplice in God's creation, and to
make our own soul.
HELENA: Oh! [thinking aloud] Perhaps souls may not
be things we are born with. Each of us may have to make her or his own personal
soul. [reaching an insight]
That may be how we
gain immortality!. It makes sense. What would immortality mean to me, if my
soul would not have my own individuality?
MARY: Perhaps we are to make more than just an
individual soul. Perhaps we co-create the spirit of the universe. It gives
meaning to my life to think that I still contribute to the creation of the
Spirit of God.
JOHN: Some believe that Jesus will return, but I think
that it will be the Holy Spirit. So I say in my Gospel.
HELENA: Perhaps to contribute to the creation of the
Millennium of God is the only way to save your soul.*
JOHN: I will also contribute to the happiness of the
universe. [to the children] Come to play.
LYDIA: Now I know you are my friend. Let's play. I shall
be the Goddess, and you shall worship me.
[John, Ernest and Lydia leave]
HELENA: I admire your
spirit. You must have suffered so much when you lost your son, yet now you
irradiate an inner peace.
MARY: I have come to an understanding, which sets me at
peace, even if nothing can relieve my sadness. I think that the fire of the
world creates God. God is not the creator of evil and death, but the Attractor
that calls us to do good and to create life. In this manner, I can explain to
myself why the world is so full with evil and suffering. Believing that we all,
women and men, animals and stars, contribute to God's creation, I find meaning
in my life, in my Son's life.. and death.*
CHORUS: God is not a Supreme Being, never changing. God
is a Supreme Becoming, always growing. [one voice at a time]
-Creation was not a
single act. Creation is an ongoing process, that reaches infinity of time.
-The universe
evolves from particles to atoms to molecules to plants to animals, and from
animals to humans, who have a spirit, not only flesh.
-How can universal
evolution stop with man?
-Where does this
rising process go?
-To God! To the
Attractor! *
-As the earth
attracts the apple, that by falling becomes a tree. The earth and the tree both
attract the apple. Inthis manner, the universe creates its own spirit, who we
call God. [pause].
ENTIRE CHORUS: [at unison, astonished] If we are part of
the creation, are we part of the creation of God?
MARY: Yes, this is what I have come to think, perhaps
because I am the Mother of Jesus. If I could be His mother, I think that others
can also co-create God. *
CHORUS:
-Creating keeps
alive in ourselves the Spirit of God, the Creator. -Creating God is a
collective enterprise.
-God is not the
creator of evil, but the Spirit that overcomes it. Conceiving God as the final
creation of our struggles answers the paradoxes of evil, the quest for meaning,
the contradictions with science, and the conflict of beliefs.
HELENA: You are becoming philosophical, like our men..
MARY: At my
age, what else can I do? I am too old
to be walking the roads to spread the gospel, but I am young enough to become a
philosopher. I always wanted to learn. My Jesus also liked to study. He was not a mystic. He was an intellectual,
a man of books and of reasoning.
MALE CHORUS:
-This is too much
philosophy, particularly for a woman.
-Women must cook,
clean and wash for their men.
-Philosophy does not
become you.
-Philosophy is the
enemy of religion.
WOMAN: You have always been the same, Mary. You can
never agree..
CHILDREN'S
CHORUS: [walks through the
main scenario, chanting in sing-song:]
Old
Mary, red Mary,
rebel
and contrary,
can't
you think like all of us?
[sudden stop of music and movement]
Guess
not.. Guess not!
You're
the Mother of God..
MALE CHORUS: How shall we reconcile these ideas with our
traditions?
MARY: We shall
keep our traditions, because they express our love for our parents, but we
shall not be afraid to think anew. When
I was a child, I spoke as a child, I understood as a child, I thought as a
child; but when I became a woman, I put away childish things. And what we
think today is also child's belief, because how can we, with our simple minds,
understand God? Only those who lack
education, believe that they are not ignorant.
HELENA: I'm
afraid this vision of God as a growing child is only for the strong. I need
also a Mother and a Father in God. I need a God who makes miracles. I need a
miracle for me. I need .. my son, who has disappeared years ago, kidnapped by
the police of the emperor. I am Christian because I want resurrection for my
son. Please ask your Son for this miracle!
MARY: [sad] I wish to have the power to give him
to you.. I'll do what I can do now: I
will pray. [consoling] God will hear. The universe is not empty. God, I
am sure, is not just a child. God must also be a Father... [reflecting, to
herself] Perhaps God is Father and Child, Man and Woman, Creator and
Attractor, a union of opposites, as two logs make fire...
MAN: [with angry, reproving, and dominant voice] What do you teach, woman? Keep your place.
MARY: [getting up, assertive] I am taking mine.
I am writing my gospel.
Mary announces the Third
Testament
MARY: My son
did not write His message. Perhaps He thought that only the spirit matters,
whereas words may actually confuse people who take things literally. How could
one person write the Word of God for all times, and all places? It is up to us, to all of us, to write it, once and again, in a manner
appropriate for each time and each land. [epic, using the parchment as an
extension of her arm]: My gospel is
for a time to come. [narrating to the children who have approached to
listen] The first men made God in
the image of Mother, because her womb, her breast, her love make our first
world. *
MALE CHORUS: In her womb we once were on with the universe and
with God.
FEMALE CHORUS: The Mother Goddess will always be present. Christians will remember Her by celebrating
you. Your image as the Virgin Mary will
be seen by women and men, in the same places where people had adored the Mother
Goddess, the Pacha Mama, the Mother Earth... *
MARY: [continuing in the same narrative tone] When
father Abraham and father Moses led our people across the desert, we imagined
God as a Good Father. We are no longer led by wise patriarchs, and noble kings.
We are now the subjects of murderous empires and greedy lords. We need a gospel
of hope because the law of God has been replaced by the decrease of the empire.
[again defiant and epic] The time has come for the New Testament of the
Son, who defies the lords, and remembers the Good Father.
CHORUS: Now is the time to raise the cross to denounce to
the world the world that kills the Christ.
MARY: [becoming sad] Now is the time to speak of
my Son's death. It is as yet no time to speak of Christ alive, and to imagine
God as a child who grows, and as a Mother who awaits. [assertive] That
day will come, when we will be strong and wise, when we will govern ourselves,
and choose our leaders by our own will, so we can construct, there and then,
the kingdom of God and its justice.
HELENA: This is Mary's testament: to create with God, as
she did.
FEMALE CHORUS: The Messiah must be released from the cross!
MALE CHORUS: When the
Christ was crucified, His disciples did not despair, but continued the
struggle. They fought, and lost the battle, and yet Christianity succeeded in
spite of their defeat. It turned out not to be what they meant, and other men
have to fight for what they meant under another name.*
FEMALE CHORUS: His teachings became distorted. The women He loved and protected were put
down. His proud rebellion against the empire was turned into submission to
Caesar.
MARY: We must write a Third Testament. One that says
that the creation has not ended, and that we have a place in it. That from our
spirit the Spirit of the Universe will grow. That we can put an end to needless
pain and suffering. That together we
can co-create the Millennium of God.
The Christ will be coming, and we shall be the Christ! [to the
audience] Also you can have angel
thoughts..
FEMALE CHORUS: Mary, the Mother of God is our beacon!
HELENA: [to Mary] You do bring about miracles. You
awoke the Messiah. We should all reverse roles with you, and co-create with the
Creator. If we bring the law into the world, there will be no need for other
miracles to save my son ... Justice will be the milagro.
FEMALE CHORUS: We need
also to see the Mother in God. We must write a Third Testament celebrating the
Holy Mother, the Third Person of the Holy Trinity.
MALE CHORUS: For
twenty centuries the Holy Mother was made to wear a veil, and we called Her
Holy Spirit. Now that women are laying away their veils all over the world, it
is time to proclaim again the Holy Trinity of the Egyptians and the Orientals:
Father, Mother and Child.
LITTLE GIRL: God is
like a family.
FEMALE CHORUS: The Holy Trinity is an image of God as a family:
our Father, the Creator, the God-Child who will be the Messiah of the universe,
and the Attractive Mother, the Holy Spirit who the Hebrews called Rooach and
the Mexican humanist called Mary.*
MALE CHORUS: We shall
create the Millennium of Mary, a world at the service of persons, not profit or
power.
MALE AND FEMALE
CHORUS: Women and men, we shall
co-create the Messiah in the multiple faces of our children.
HELENA: Who said that our covenant with God has all been
written? Who has proclaimed the end of
history?* All these poor starving people have no future because history has
ended?
The Chorus (sculpture by Mimi
Singer).
Coro (scultura de Mimí
Singer).
[Starts the
variation of the Heroic Polonaiese starts here, and continues as background
music throughout the following scene.]
ADULT CHORUS: [marching, displaying the flags of all the
American nations, or whatever belongs to the place and time of the representation;
at the end of the recitative, they climb choreographically, the higher stage]
History has not ended [recitative]:
Do not believe the
last words were written,
and the age of
miracles has come to an end.
Do not believe the
vital fire was a thirst that has been quenched.
Do not believe the
music of the stars has been muted.
Perhaps nobody
listens to the voice
that speaks in the
high mountains,
and in the bottom of
the seas;
in the throat of the
winds
and the bottom of
the soul.
Perhaps there are no
prophets,
but there
always is prophesy.
Let me call for a
thousand poets
to write new verses
for the Bible.
Lend me your voice,
your words, your call,
wish the miracle
with me.
I sing of myself and
I think for myself,
and in every word of
my song,
and every word of my
thought,
there is an atom of
your words,
and of the Word that
speaks you and me.
I sing and celebrate
my parents and my children.
Poets of the new
millennium,
sing the poetry of
this love!
Let us sing beyond
the passion of woman and man,
the moon songs,
the moons of love
and the moons of
loss,
the full moon, and
the bleeding woman?
The triumph of love
is this child,
the God to adore.
Hear the new
commandment:
Adore your child.
Create the Spirit!
MARY: Raise The Christ!
HELENA: If there
is no God, nor justice, we shall create them!
MARY: There is
a God, an Attractor that awaits us at the end of time... a Spirit who grows
ever more beautiful and loving because we create beauty and goodness. This is what I wrote in the Third Testament.
HELENA: Where
will you leave it? Heraclitus left his
book in the temple of the Goddess, and it was lost.
MARY: Perhaps
my book will also be lost, but one verse will remain: the invitation to write a Third Testament.
FEMALE CHORUS: One verse
will remain: the invitation to write a Third Testament.
MALE CHORUS: [repeats at a higher volume] One verse will remain: the invitation to write a Third Testament.
CHILDREN'S
CHORUS: [repeats at a higher
volume] One verse will remain: the invitation to write a Third Testament.
[lights on the
lower stage, and become even brighter inthe upper stage]
ERNEST: But ..
was it true? Did Mary write a
Testament? [distrusting:] It was written by the Mexican.. [salpping
his forehead] You invented the whole thing...
ANTONIO: [smiling]
This is what I think. That it is
only a story in which I spoke of the mother of Jesus and of the Mother Goddess
to celebrate my mother. But my story is
a fruit of a Latin tree, a tradition that has always celebrated Mary, and that
in our times has returned to the message of liberation of The Christ. And where
did that tree grow? How can we know where ideas come from?
LYDIA: Is it all lies?
ANTONIO: No, it is a poetic truth... There is something magic about such
stories. You can always jump into them,
at any time, and become part of the miracle.
LYDIA: [not believing] Can we jump into the story?
ANTONIO: Yes, you
can climb to the higher stage. I
thought I'd seen you there already..
ERNEST: [epic in a twelve year old style, which is
younger than the author's, and this should be conveyed in subtle irony. Let us jump into history! [All three move
to the higher stage]
Renaissance in
America
ANTONIO: [Looking around himself and to the audience as
one looks at a landscape from the top of a mountain] I see the world that
surrounds us with as much hope as desperation.
A new millennium starts without the certainty of finding ourselves on
the edge between two eras; [pause] but this very doubt opens new doors
for me. With each elusion I lost, I
gained one lucidity, and the resolve of being self-sufficient.
GIRL: In the
time when Columbus rediscovered America, a Florentine merchant, Giovanni
Rucellai, painted in the pages of his book of memories the joy and the pride of
the Renaissance.
MAN FROM THE
CHORUS: "Thanks be given unto you, my God, for granting me birth in
this city and in this time."
MALE CHORUS: Happier
are we the protagonists of our Renaissance, because we contemplate the
miraculous vision of millions of women and men who win their freedom, and of
other millions resolved to liberate themselves, collectively when it is
possible, and, to begin with, as individual persons. [Start the variation of
the Polonaise heroique, that continues as a background throughout the following
scene]
FEMALE CHORUS: We
inhabit a time of Renaissance. As the other Renaissance, this one is also
filled with war, crime, torture, plagues and hunger, but, also as the other, it
is a rediscovery of America, a unification of the world and freedom for each
individual.
HELENA: To all
the women and men of the world, we announce our will to construct the
Millennium of Mary of the Holy Spirit. But for ourselves, we also claim our
share of freedom: the rebirth of America and the birth of Hispania.
MARIA: Let me give you this gift [she takes of the
mantle that she had received from the wise men, and displays the new flag of
Hispania, the rising sun in a daylight sky].
HELENA: The peaceful birth of Hispania is the first
miracle of Mary in her Millennium.
MALE CHORUS: [advancing towards the woman chorus, and
taking them by their hand] Let us make another miracle: the rights of women
and children.
FEMALE CHORUS: Thanks be
given unto you, my friend, for having been born together in this land and in
this time.
The play
ends
as the Millennium of
Mary begins.